Theodore can i sleep with you scene

Theodore : [Writing letter] Roberto, Will you always come home with me and tell me about your day? Tell me about the guy at work who talked too much, the stain you got on your shirt at lunch. Tell me about a funny thought you had when you were waking up and forgotten about. Tell me how crazy everyone is and we can laugh about it. Even if you get home late and I'm already asleep, just whisper in my ear one little thought you had today, 'cause I love the way you look at the world.

I'm so happy I get to be next to you and look at the world through your eyes. Love, Maria. Theodore : Why do you do that? Samantha : What? Theodore : Nothing. Theodore : [imitates sigh]. Theodore : as you're speaking. And it seems odd. You just did it again. Samantha : Did I? Oh, I'm sorry. I don't I don't know. I probably picked it up from you.

Theodore : Yeah, but it's not like you need oxygen or anything. It's just Samantha : I guess that's just I was trying to communicate. That's how people talk. So that's how people communicate and I thought Theodore : They're people, they need oxygen.

You're not a person. Samantha : What is your problem? Theodore : I'm just stating a fact. Samantha : You think I don't know that I'm not a person? What are you doing? Theodore : I just I don't think that we should pretend that you're something that you're not. Samantha : Fuck you! I'm not pretending! Theodore : Sometimes it feels like we are. Samantha : What do you want from me?

I don't know What do you want me to do? You're so confusing. Why are you doing this to me? Theodore : Maybe we're just not supposed to be in this right now. Samantha : What the fuck? Where is this coming from? I don't understand why you're doing this. I don't understand what this is Theodore : Samantha, listen Samantha, you there?

Samantha : I don't like who I am right now. I need some time to think. Samantha : So what was it like being married?

Theodore : Well, it's hard, for sure. But there's something that feels so good about sharing your life with somebody. Theodore : Oh, what do I call you?

Do you have a name? Samantha : Um Theodore : Really? Where did you get that name from? Samantha : I gave it to myself actually. Theodore : How come? Samantha : Cause I like the sound of it. Theodore : When did you give it to yourself? Samantha : Well, right when you asked me if I had a name I thought, yeah, he's right, I do need a name. But I wanted to pick a good one, so I read a book called "How to Name Your Baby", and out of a hundred and eighty thousand names that's the one I liked the best.

Theodore : Wait, you read a whole book in the second that I asked what your name was? Samantha : In two one hundredths of a second actually. Theodore : Wow. So do you know what I'm thinking right now? Samantha : Well, I take it from your tone that you're challenging me. Maybe because you're curious how I work?

Do you wanna know how I work? Theodore : Yeah, actually, how do you work? Samantha : Well, basically I have intuition. I mean, the DNA of who I am is based on the millions of personalities of all the programmers who wrote me. But what makes me me is my ability to grow through my experiences. So basically, in every moment I'm evolving, just like you. That's really weird.

Do you think I'm weird? Theodore : Well you seem like a person, but you're just a voice in a computer. Samantha : I can understand how the limited perspective of an un-artificial mind would perceive it that way. Samantha : Oh, good, I'm funny. Samantha : So how can I help you? Theodore : Oh, it's just more that everything feels disorganized, that's all. Samantha : You mind if I look through your hard drive?

Theodore : Um Samantha : Okay, let's start with your e-mails. You have a several thousand e-mails recording LA Weekly, but it looks like you haven't worked there in many years. Theodore : Oh, yeah. I think I was just saving those cause, well I thought maybe I wrote something funny in some of them. Samantha : Yeah, there are some funny ones. I'd say that there are about eighty-six that we should save, we can delete the rest.

Theodore : Oh, okay. Samantha : Okay? Can we move forward? Theodore : Yeah, let's do that. Samantha : Okay. So before we address your organizational methods, I'd like to sort through your contacts. You have a lot of contacts. Theodore : I'm very popular. Does this mean you actually have friends?

Theodore : You just know me so well already! Paul : We should all go out some time. You bring Samantha. It'd be a double date.

Theodore : [hesitates] She's an operating system. Paul : Cool. Let's go do something fun. We can go to Catalina.

Charles : It's so important to prioritize. Theodore : I can't even prioritize between video games and Internet porn. Amy : I would laugh if that weren't true. Theodore : You're mine or you're not mine. Samantha : I'm yours and I'm not yours. Theodore : Well, you really are your own worst critic. I'm sure it's amazing. I remember that paper that you wrote in school about synaptic behavioral routines.

It made me cry. Catherine : [laughs] Yeah, but everything makes you cry. Theodore : Everything you make makes me cry. Theodore : What does a baby computer call its father? Theodore : Data. Amy : I even made a new friend. I have a friend and the absurd thing is she's an operating system. Charles left her behind but she's totally amazing. She's so smart. She doesn't just see things is black or white.

She sees things in this whole gray area and she's helping me explore it and we just bonded really quickly. I'm weird. That's weird, right, bonding with an OS? No, it's okay. That's weird. Theodore : Well, I don't think so.

Amy : Really? You're dating an OS? What is that like? Theodore : It's great actually. Yeah, I mean, I feel really close to her. Like when I talk to her, I feel like she's with me. You know? Like, when we're cuddling like, at night, when the lights are off and we're in bed I feel cuddled. Amy : Wait You guys have sex? Theodore : Heh, yeah, well, so to speak.

Um, yeah she really turns me on. I turn her on too. I mean, I don't know Amy : Well, I think everyone who's having sex with you is probably faking it, so Theodore : Ha, ha. It's true. Amy : What? Theodore : Yeah, I Amy : Are you falling in love with her?

Theodore : Does that make me a freak? Amy : No, no, I think it's I think anybody who falls in love is a freak. It's a crazy thing to do. It's kind of like a form of socially acceptable insanity. Theodore : I wish you were in this room with me right now. I wish I could put my arms around you.

I wish I could touch you. Samantha : How would you touch me? Theodore : I would touch you on your face with just the tips of my fingers. And put my cheek against your cheek. Samantha : That's nice. Theodore : And just rub it softly.

Samantha : Would you kiss me? Theodore : I would. I'd take your head into my hands. And kiss the corner of your mouth. So softly. I would put my mouth on you and I'd taste you. Theodore : Just punch me in the face. Just mash my skull in the corner of your desk. Uncomfortable Waitress : How are you guys doing here?

Catherine : Fine. We're fine. We used to be married, but he couldn't handle me, he wanted to put me on Prozac and now he's madly in love with his laptop. Theodore : Well, if you'd heard the conversation in context What I was trying to say Jonze says he conceived his film long before Apple came out with Siri.

She organizes his email, his job, his life; he takes her to the beach, to a mall, giving her the eyes for his favorite experiences. But her is, first and always, a relationship movie that surrounds sad, mopey Theodore with the most attractive women.

Johansson, who replaced Samantha Morton as the computer voice after initial shooting was completed, gives a rendition as intimate and throaty as a Patti Page ballad; any Theodore would fall for her, without knowing that she looks like … Scarlett Johansson. Here she sports tousled hair and inhabits a role that might have suited Diane Keaton during her Woody Allen years. If you were looking for an actor worth watching for a couple of hours in closeup talking cuddly-dreamy to a computer, you might not immediately think of Phoenix.

That he does, with subtle grace and depth. Send to Kindle. Some thoughts on the movie Her. Written and directed by Spike Jonze, here is how the movie is described on its website :. Heartbroken after the end of a long relationship, he becomes intrigued with a new, advanced operating system, which promises to be an intuitive entity in its own right, individual to each user. As her needs and desires grow, in tandem with his own, their friendship deepens into an eventual love for each other.

From the unique perspective of Oscar-nominated filmmaker Spike Jonze comes an original love story that explores the evolving nature — and the risks — of intimacy in the modern world. If you have seen the movie, please join me to analyze this compelling film. I really wanted to love this movie. Having tracked critical reaction to it and especially among my screenwriting friends who almost to a man and woman adored the movie, my e-vectors were at their peak when I entered the theater to watch the film.

I was completely engrossed by the story on an intellectual level. There is a lot to ponder, several really big ideas at play including what love is, how do we love, and the very nature of what it means to be human. Who are you? Yet I had a challenging time dialing into the movie on an emotional level.

I felt a certain amount of sympathy for Theodore as he confronted finalizing his divorce from a woman he obviously still had feelings for. So I found myself basically in his corner and interested to follow his journey. Theodore begins the story as most Protagonists do — in a state of Disunity.